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Thursday, August 31, 2017

A step in the dark: Jakarta seeks order for its crazy pavements

As his company of police officers assembles for the morning muster in West Jakarta, falling into 27 rows of roughly eight men deep, Budhy Novian, chief of law enforcement for Jakarta's municipal police, considers the day ahead.

Soon, Novian, 43, will climb into a Ford sport utility vehicle and join a motorcade of about two-dozen police vans, flatbed trucks, tow trucks and cruisers on patrol for shops and vendors encroaching on the city's scare public space. But after a month, the show of force seems little more than keeping the ocean back with a broom. The futility is beginning to show.

"If we put a police officer there, full time, the area will stay clear," Novian explains.

"As soon as we go away, they will be right back."

Welcome to Orderly Pavement Month, thought to be the capital's first sustained effort at laying claim to its meagre bits of common space all in an effort to make one of the more congested and least livable cities just a little more pleasant.

Since late July, the dragnet, which wrapped up on Friday, and was undertaken by local and national police has snared 8,000 violators, confiscating noodle stands, gas canisters and other equipment which the owner can get back for a small fine.

What's at stake is the lion's share of some of the city's miserly 400km of pavement – a tiny network for a city thought to be home to some 10 million and sporting more than 7,000km of roads.

But what lies beneath all the piles of lumber, and furniture or makeshift food stalls seems hardly worth the effort. Pavements here often resemble little more than decaying bits of concrete and uneven bricks. Pedestrians navigating the walkways at times must sidestep gaping holes that plunge into fetid darkness. Little wonder few venture out for a leisurely stroll here, says activist Alfred Sitorus.

"We don't have a culture of walking," says the founder of the Pedestrian Coalition.

But that may be about to change.

Indonesia was supposed to embrace freedom. What happened?

Jakarta's government has boosted by one third the amount it has earmarked to build walkways this year. The aim is to weave 2,600km of footpaths over the coming years linking train stations to offices and bus ways in a bid to keep commuters from hauling out their smartphone and summoning a motorcycle taxi once their bus or train from the suburbs pulls into the station. That will take time. In a city that is already bursting at the seams and burdened with poor planning, building new pavements can be expensive. It costs HK$3,000 to build 1 metre of pavement, Sitorus says.

Even so, Sitorus argues that habits can change. Back in 2001, he was behind an effort to block off the city's busiest streets on Sundays to motorised traffic. Known as Car Free Day, the effort nearly stalled amid howls of protest from motorists. But once the city made it a weekly fixture a decade later it was an institution, attracting buskers, cyclists, peddlers and of course pedestrians. Some 200,000 attend on any given Sunday.

"We had 1,000 people on the first day. We had to bus people in. No one would come," Sitorus recalls.

Encouraging more residents to park their scooters or cars at home and use public transit or walk hasn't come a moment too soon. This city is beginning to choke on air pollution as upwards of 1,000 new cars take to the roads every month. The World Health Organisation said last month Central Jakarta enjoyed only 20 days of air that was safe to breathe during the first half of the year.

"Car Free Day has raised awareness that you can leave your car at home. You don't always need it," says Sitorus.

How war over an aphrodisiac made a multicultural Indonesia

Before Jakarta becomes a pedestrian nirvana, it will need to do something about its obnoxious men. Instances of sexual harassment and violence are soaring. Women here say they routinely suffer catcalls, groping and worse.

Last year reports of sexual violence surged nearly 9 per cent to almost 1,400, according to the National Commission on Violence Against Women. Holaback! Jakarta, an NGO, which runs a website documenting survivors' stories and details of the assault they suffered, has recorded 170 instances of abuse in Jakarta over the past 18 months. Most of those have been logged recently as the issue gains currency among residents.

Vivi Restuviani, one of the group's Jakarta organisers, says following an attack in Semarang, in Central Java, she stopped walking alone for months. Now she avoids certain areas of the city such as the Kemang entertainment district.

"It affects you," Restuviani says of the harassment. "Sure you don't want to go places sometimes if you don't have to."

"Catcalls like 'hey beautiful' make you feel you don't belong there. So you don't want to go."

And then there are the poor, who sell smartphone cases or busk or sleep in public spaces because they have nowhere else to go. Every year there are more of them. After Ramadan an estimated 80,000 migrate to Jakarta from villages in search of work, helping triple the population of the greater metropolitan area to more than 28 million, on a tiny parcel of land that accounts for 0.3 per cent of the country.

How Malaysia's dogs became political animals

Clearing them away in favour of spandex wearing cyclists and commuters risks backfiring. A similar campaign to convert into a park the notorious Kalibata slum in the city's north, which was a byword for gangs and prostitution, fell flat when opponents emphasised that it was the poor who had to move in favour of skateboarding kids. The project's main proponent was the city's then reformist governor, Basuki Purnama, who not only lost re-election by a landslide, but is now in jail for insulting the Koran.

"I didn't know the police would be coming," says Mahmud, a carpenter who only gave one name as his staff hurriedly moved coffee tables and chairs off the pavement during Novian's raid.

"Yes you had to," Novian insists. "It was on television."

As it happened, nothing of Mahmud's was carted away. Novian says he warns merchants and only confiscates property of serial offenders. On this day, the flat bed truck in the convoy resembled more of a rubbish collection service. Young officers piled it high with a dozen car and motorcycle tyres, bamboo poles, half an oil drum, street stall banners advertising dishes such as catfish and an old refrigerator with the door missing.

"Most of them got away before we got here," says one officer ruefully, who didn't want to give his name.

"Yesterday was better. We were taking scooters and cars. We were taking everything!"

Munching through a bowl of chicken, noodles and greens, Adi Rafiansa surveyed the forlorn bits of string that had held aloft a piece of tarpaulin that Novian's men had carted away. The corner was a popular redoubt for motorcycle taxi drivers and the tarp had provided some shade for them during down periods.

That day's raid was the second time in six months the police came, Rafiansa says. Without looking up from his noodles, he says he doubts the drivers will be deterred.

"They'll be back."


Source: A step in the dark: Jakarta seeks order for its crazy pavements

Wednesday, August 30, 2017

Art Stage Jakarta: Setting its foot firmly on Indonesian ground

For the first time this year, Art Stage Jakarta handed the ALEQS art award to important figures in the Indonesian arts scene.

ALEQS, which includes 13 categories, is an abbreviation for the qualities demanded of pieces of art to win the award — Authenticity, Leadership, Excellence, Quality and Seriousness in Art.

Coincidentally, ALEQS also sounds similar to Alex Tedja, the collector, who, according to the fair's founder and president, Lorenzo Rudolf, came up with the idea. Alex is also the fair's supporter and owner of the fair's venue, the Sheraton Grand Jakarta Gandaria City.

Winners receiving the awards in a "long" ceremony at the French Cultural Institute in Jakarta included Haryanto Adikoesoema as the best collector. His collection encompasses local and international artworks, and he is also the owner of Indonesia's upcoming first museum dedicated to modern and contemporary art, the Museum of Modern and Contemporary Art in Nusantara (Museum Macan).

Internationally renowned artist Melati Suryodarmo, known for long performances and currently the director of the Jakarta Biennale, was awarded as the best artist.

Art Stage independent curator Enin Supriyanto was named the best curator, while Tom Tandio, the fair's artistic director and president of the Board of Young Collectors who also founded IndoArtNow, was awarded as best young collector.

The winner of the BaCAA art award, Aditiya Novali, was awarded as the best young artist; Grace Samboh as the best young curator; ROH projects as the best gallery and the best Young Gallery; and IVAA as the best art institution.

Life Achievement Awards went to senior curator Jim Supangkat, senior artist Sunaryo and senior collector Ciputra.

An additional award, the Bhinneka Award, which recognizes the art scene's commitment to advancing unity and togetherness of Indonesian society, went to the Jatiwangi Art Factory arts community of West Java, the works of which focus on research through art of the lives of people in the area.

The award ceremony left some pondering its worth, with more transparency on the judging criteria deemed necessary. Nevertheless, the winners were happy. As one young artist put it, he was grateful for the appreciation of his work that the award expressed.

For Aditya Novali, the award included an art residency program in Berlin, while Grace Samboh will work with Ute Meta Bauer, director of the Centre for Contemporary Art in Singapore, to curate an event next year.

Best young curator Grace SambohBest young curator Grace Samboh (JP/Carla Bianpoen)

ALEQS was just one of several new initiatives with which Art Stage Jakarta has widened its scope in Indonesia. It has also spread its wings to venues beyond the Sheraton Grand as well as beyond last year's type of boutique for the elite.

This year, it went in all directions in its intention to make Jakarta a center of the arts. Seeing itself as a matchmaker with a mission, Lorenzo said, "We will make a mark for Indonesia on the global art map."

Apart from the awards, the exhibition this year made headlines for improved quality of works and displays; the inclusion of graffiti and street art in Off The Wall; and a section for emerging art and non-profit institutions (Art Square).

The fair, which ran from Aug. 11 to 13, also saw the rise of some new galleries. CG Artspace, for instance, joined for the first time but made a decisive mark by covering its spacious booth with murals on three walls made by up-and-coming artist Kemal Ezedine.

Kemal's vibrant strokes, wildly dancing across the panels, at some instances resembling undulating waves, or volcanic eruptions with sudden figurative images popping up, derive from Balinese painting and are combined with the artist's own inner sense.

The artist said he was seeking to discover his own identity and the power of self. Many have expressed admiration at the gallery's bold booth design, but Christiana Gouw, the owner, explained that all she wanted was to push the artist and highlight his talents.

Another novelty was BAIK Art from LA, which stood out with a well-designed display of Indonesian artists like Mella Jaarsma, with new sculptures engaging with issues of the body, Restu Ratnaningtyas with delicate works and performance artist Aliansjah Caniago with a video showing him softly kicking a stone from Sunda Kelapa to the State Palace.

No less intriguing was Red Base Gallery, which stood out with its detailed captions providing background information on each work.

In Lawangwangi's booth, Eddy Susanto's stunning work The Last Supper attracted major collectors, resulting in a list of future commissions. Eddy's way of juxtaposing Albrecht Duerer and the Javanese Joyoboyo at world's end was created with an installation of a wooden table, on which Duerer's images of the Last Supper were painted as mirror images (so as to read the messages hidden in Duerer's work) with the figures shaped by Javanese script telling Joyoboyo's story. Sitting on that table and looking up, one sees a light box with painted images.

Noteworthy was the Ota Gallery with Nobuaki Tukekawa's huge canvas of Integrity and a miniature version of Zai Kuning's work from the Singapore Biennale; Su Xiaobai's wonderful blue painting at Pearl Lam Galleries; Michael Binuku's refined ballpoint drawings at Rachel Gallery; Argya Dhyaksa's farcical ceramic rendering at Rachel's gallery; and Richard Winkler's latest creations in green and red monochrome at Zola Zulu.

Nyoman Erawan's glorious Shadow Dance with gold leaf at the Art:1 gallery left a lasting impression, as did Maharani Mancanegara's exquisite installation of books Omitting Omit, and last but not least Izziyana Zuhaimi's cotton woven work at Fost Gallery, with colors inspired by her prayer mat.

Although official sales figures from the fair, which attracted 52,240 visitors, were not yet available, there was a general notion of satisfaction — though some foreign galleries noted that Indonesian collectors tended to buy Indonesian works. 


Source: Art Stage Jakarta: Setting its foot firmly on Indonesian ground

Tuesday, August 29, 2017

East Jakarta residents to challenge land acquisition

Residents of Kayu Putih in East Jakarta plan to file a lawsuit with the Jakarta State Administrative Court (PTUN) challenging a gubernatorial decree on land acquisition in their area.

The challenge relates to Gubernatorial Decree No. 1323/2017 on the acquisition of a plot on Jl. Pulomas Selatan, Kampung Baru in Kayu Putih, which they claim belongs to residents.

The decree stipulates that the 541-square-meter plot, which had been earmarked for the administration's revitalization program, was transferred to Nurdin Tampubolon, a House of Representatives' member from the Hanura Party, for Rp 7 billion (US$524,699) in 2014.

Following the issuance of the decree Nurdin built a wall on the land earlier this month and closed residents' access.

He reportedly plans to build an office building for his television company.

The residents protested the move by holding a demonstration on Monday at City Hall and the City Council building.

They said that there had been no warning prior to the construction. They also claimed that the land did not belong to the administration but to the community.

The city administration suggested they submit a letter of complaint to Jakarta Governor Djarot Saiful Hidayat and the council offered to mediate among the residents, Nurdin and the city administration.

Nurdin himself said that he did not need to ask permission from residents to build the wall as he had bought the land legally from the administration. (agn)


Source: East Jakarta residents to challenge land acquisition

Monday, August 28, 2017

Jakarta prepares Rp 9 billion for SEA Games athlete bonuses

Jakarta's athletes who secure victory during the 2017 SEA Games in Malaysia will receive a collective bonus amounting to Rp 9 billion (US$674,000) from the city administration, an official has stated.

Jakarta Youth and Sports Agency head Ratiyono said the bonuses, which will also be allocated to the coaches, had been set aside in the 2017 revised budget.

"We proposed Rp 9 billion. It is for athletes who get gold, silver and bronze medals and the coaches too. For those who lose, we will still give them smaller amounts of money as they competed for Indonesia," Ratiyono said Monday as quoted by kompas.com.

However, the details of the amount of money set to be given to each athlete have yet to be revealed. However, athletes who win gold medals are likely to receive around Rp 200 million, similar to the amount given to those who won gold medals at the 2015 SEA Games in Singapore.

There are 101 athletes from Jakarta competing in the 2017 SEA GAMES.

Besides bonuses, Ratiyono said the athletes would have the chance to continue their studies at the Jakarta State University (UNJ).

"UNJ is ready to receive athletes who win gold medals without any test, especially those who want to major in sports sciences," he said.

Jakarta Governor Djarot Saiful Hidayat promised that bonuses would be given to athletes and coaches to boost their performance. (wnd)


Source: Jakarta prepares Rp 9 billion for SEA Games athlete bonuses

Sunday, August 27, 2017

Car Free Day to be held in South Jakarta

The South Jakarta administration will hold a Car Free Day along Jl. Mampang Prapatan to Jl.Warung Jati Barat on Sundays from 6 a.m. to 11 a.m. starting from Aug. 27, which will result in a traffic diversion during the event.

Motorists from the north, or Kuningan, to the south, Ragunan, can pass through alternative roads Jl. Duren Tiga Raya, Jl. Raya Pasar Minggu and Jl. Raya Ragunan. Meanwhile those driving from the south to the north can pass through Jl. Pejaten Barat, Jl.Kemang Selatan, Jl. Kemang Raya, Jl. Bangka Raya and Jl. Kapten Tendean.   

Public minibus Metro Mini S75 from Pasar Minggu to Blok M will go through Jl. Duren Tiga and Jl. Raya Pasar Minggu after passing Jl. Kapten Tendean. Transjakarta buses traveling along corridor 6, however, will operate normally.

"Vehicles transporting people in emergency situations will be allowed to pass through the Car Free Day area," South Jakarta Transportation Agency head Christianto said as quoted by kompas.com Friday.

Various activities like performances of pencak silat martial arts, story telling and a mobile library will enliven the Car Free Day. (vny)


Source: Car Free Day to be held in South Jakarta

Saturday, August 26, 2017

Suspected drug trafficker shot dead in West Jakarta

The West Jakarta Police shot dead on Friday an alleged drug dealer, AF,  who had 1,400 ecstasy pills, 2,000 nimetazepam "happy five" pills and 200 grams of crystal methamphetamine in his house. He was shot while resisting arrest.

Previously, the police arrested three men—identified only as KB, EL and MT—o n Thursday for the possession of a package of crystal meth and five ecstasy pills. The men claimed they had purchased the drugs from AF.

"AF was arrested in his house on Jl. Tanah Sereal in Tambora, West Jakarta," West Jakarta Police chief Sr. Comr. Roycke Langie said as quoted by wartakota.tribunnews.com, adding that AF had previously been imprisoned for four years and two months at Salemba Penitentiary in Jakarta on drug charges.

From information made available by AF, he got drugs in North Jakarta from a man, AS, who was on the police's most wanted list. (vny)


Source: Suspected drug trafficker shot dead in West Jakarta

Friday, August 25, 2017

Online fake branded bag seller arrested in South Jakarta

South Jakarta Police have named MA as a suspect of online fraud in which she offered branded bags on a WhatsApp socialite group.

"She joined a socialite group and offered them Hermes bags at a price of Rp 117 million (US$ 8,761) and would deliver the bag with a down payment of Rp 40 million," said South Jakarta Police's criminal investigation department head Adj. Sr. Comr. Bismo Teguh Prakoso, during a press conference on Thursday.

Based on the earlier investigation, it was found that MA was invited to the socialite chat group by one of the members. She then promoted her products by posting pictures of branded bags.

One victim was interested and they continued to have a private conversation until the victim agreed to transfer the down payment money.

However MA never delivered the bag. Jakarta Police received the report and arrested MA on Sunday who happened to have a café in East Jakarta.

Police kept a cell phone, Rp 3.1 million in cash, a bank account book and an ATM card as evidence. The perpetrator was a single actor and had just one victim.

MA is set to be charged under article 378 of the Criminal Code (KUHP) and the Electronic Information and Transactions (ITE) Law and faces a maximum of four years' imprisonment. (dra)


Source: Online fake branded bag seller arrested in South Jakarta

Thursday, August 24, 2017

Jakarta Police thwart drug smuggling attempts at own headquarters

The Jakarta Police have foiled attempts to distribute drugs inside its own headquarters, according to Jakarta Police Narcotics Unit head Sr. Comr. Nico Afinta.

Officers discovered on Thursday that detainees have asked their relatives and friends to smuggle drugs, mostly a type of sabu-sabu (crystal methamphetamine), into the detention center.

The amount ranged between 1 and 5 grams, Nico said.

"We found the drugs slipped into in food or clothes," Nico said as quoted by kompas.com.

The visitors were arrested and named as suspects.

On Thursday, the Jakarta Police awarded 14 officers who succeeded in thwarting drug smuggling attempts inside the detention center.

 "We want to change perception that detainees can easily get drugs; that should not happen in the Jakarta Police [detention center]," Nico said. (cal)


Source: Jakarta Police thwart drug smuggling attempts at own headquarters

Wednesday, August 23, 2017

Jakarta mulls higher parking fees in downtown area

The city is considering increasing parking fees in downtown Jakarta as part of efforts to reduce traffic congestion.

Jakarta Transportation Agency head Andri Yansyah said on Wednesday the policy would push people to use public transportation as well as increase city revenue.

"When the plan is realized, downtown Jakarta, which will be categorized as zone one, will have the highest parking fees," Andri said.

"Later, we will make the fees as low as possible in zone three so that vehicle owners will park there and travel onward to downtown by public transportation," he said as quoted by kompas.com.

Andi said a regulation on the policy had not been issued as details and zoning areas had yet to be discussed. (hol)


Source: Jakarta mulls higher parking fees in downtown area

Tuesday, August 22, 2017

Super Junior-D&E to visit Expo in Jakarta

© korea Joongang Daily

Donghae, pictured right, and Eunhyuk of Super Junior were chosen as the promotional celebrities for the 2017 Korea Brand & Entertainment Expo in Jakarta, Indonesia.

The Ministry of Trade, Industry and Energy and Korea Trade-Investment Promotion Agency announced the two on Monday.

Since June, the expo has been held in locations where the "Korean Wave" has been popular, such as Taiwan and Hong Kong.

The two make up the subunit Super Junior-D&E, and will participate in opening performances, interviews and business consulting.

The popular duo's first album, "The Best Goes On" was released in 2015 and reached first place on eight music charts across Asia.

Both Donghae and Eunhyuk were discharged from their mandatory military service in July and quickly jumped back into activities. They held a fan meeting on July 23 at Sejong University and performed in Japan on July 27 and 28.

By Bae Seung-hoon


Source: Super Junior-D&E to visit Expo in Jakarta

Monday, August 21, 2017

East Jakarta fire destroys more than 200 homes

Jakarta Governor Djarot Saiful Hidayat visited on Monday Kebon Pala in Jatinegara, East Jakarta, where some 260 houses were razed on Sunday night, and instructed his subordinates to prioritize continuing the education of the area's children.

"[The administration] will put the education of the children as our priority," Djarot said at City Hall on Monday as quoted by kompas.com.

Jakarta Police spokesman Sr. Comr. Argo Yuwono said data collection on the damages was still ongoing, with a forensics team investigating the cause of the fire.

Currently, police are focused on securing residents and the location to prevent looting, Argo said.

More than 200 residents in Kebon Pala lost their homes in Sunday's fire. (dra)


Source: East Jakarta fire destroys more than 200 homes

Sunday, August 20, 2017

Jakarta to host ASEAN 50 Parade

After the Countdown Asian Games 2018 event, Jakarta is slated to host another international celebration on August 27.

The event is called ASEAN 50 Parade, a celebratory event to commemorate the golden age of ASEAN that was first established in Bangkok on August 8, 1967.

"The 50th ASEAN anniversary is an event that can help strengthening the role of ASEAN as the drive for economic integration and partnership in all kinds of fields," said foreign affairs deputy minister, AM Fachir.

300 participants will take part in the festivity that coincides with Car Free Day in Jakarta. The parade group will walk for 3.4 kilometers from the Monas Southwest Door to MH Thamrin street, Hotel Indonesia traffic circle and will finish at the Jenderal Sudirman statue.

The parade will feature an ASEAN flags parade, costume parade, marching bands, dance and music performances. Visitors will also be treated to 10 culinary dishes from ASEAN countries.

Prior to the festivities, the ministry of foreign affairs has conducted several activities to welcome the 50th anniversary of ASEAN. The activities include a symposium titled "Centrality and Unity of ASEAN" and an anniversary celebration in Sikka regency, East Nusa Tenggara on June 8-9.

Meanwhile, tourism minister Arief Yahya asked every citizen to come and see the parade.

"The parade that will showcase the cultures of 10 ASEAN countries will catch the people's attention. This will be the magnet for the Pesona Indonesia [tourism brand]. Please come to the ASEAN 50 Parade and make it viral," said Arief.

Moreover, Arief said that in the past two years members of ASEAN have agreed to work together as discussions on tourism promotion have been made.

"We create tour packages, two to three countries in one package and promote them together using the logo and tagline of Visit [email protected]," Arief added. (asw)


Source: Jakarta to host ASEAN 50 Parade

Saturday, August 19, 2017

Taeyeon recalls physical contact in Jakarta

© korea Joongang Daily

Girls' Generation's Taeyeon took to Instagram on Friday to tell fans her side of the story following an incident of airport crowding at Jakarta Airport.

The star was allegedly groped as she was mobbed by the crowd when she arrived at the airport. Though Taeyeon did escape from the scene, she had to be lifted out of the crowd by security guards, much to her embarrassment.

"I ask my fans to please stay calm and pray that this is an isolated incident only. I was on the verge of crying after falling down. This was chaotic beyond recognition, and it was too tense and dangerous for anyone. Next time, please keep in an orderly fashion for the good of all of us," said Taeyeon through her Instagram account.

"Although I don't believe that it was intentional, I could feel parts of my body being physically contacted in private areas constantly," the singer continued.

S.M. Entertainment stated on Friday, "The Jakarta Airport incident has shocked [Taeyeon], but now she has recovered from it. The organizers have apologized and promised more security so that nothing further happens in the future. We will take note of this case."

By Bae Seung-hoon


Source: Taeyeon recalls physical contact in Jakarta

Friday, August 18, 2017

Up the new, trendy go-to place for Jakarta's obscure hipsters

Their number may pale in comparison to official clubs and hangout venues, but hubs like the simply named UP in the posh Dharmawangsa area of South Jakarta, are beginning to provide a welcome alternative.

With their smaller scale — sometimes not much bigger than a large living room — and private party atmosphere, spaces like UP engage through their individual characteristics.

They make visitors feel like they're partying or watching a performance at a friend's place. Almost everybody knows each other, and the ones who don't are there to make new friends.

The name UP itself was picked because of the place's location on the second floor.

"It has always been a passion," Baldi Calvianca, one of UP's founders, on why he's always on the prowl for new spaces.

Baldi and his friends have done it before, though no space has had the success that UP's had. Barely half a year old, the space has already hosted numerous events — mostly underground parties where DJs spin obscure records and sometimes underground bands play intimate sets.

"Every time we come across a new, special place, we become really hyped and immediately just want to throw a really great party," Baldi explains.

When Baldi and his buddies found Pelaspas, the space that would become UP, they knew this was it. The place had nice acoustics, which is the most important thing for music-centered venues, and its location, in Baldi's words, was "hidden and not too big — It totally gave off that underground feel."

We the obscure: Jakartan hipsters mingle at the underground UP creative space in Dharmawangsa, South Jakarta.We the obscure: Jakartan hipsters mingle at the underground UP creative space in Dharmawangsa, South Jakarta. (JP/Marcel Thee)

"It was a unique space where we knew we could put on a variety of different kinds of events."

Right away, Baldi and his friends hooked up with other underground crews, including one called No Hard Feeling, which also regularly hosted underground parties. Both of them then began reeling in other DJs, music curators and artists to engage in both the place's decor and its initial parties.

Like most 20-somethings, the UP crew was very young during the 1990s, and as such hold a romantic view of it. They particularly loved the 90s warehouse parties scene, a strong precursor to post-2000 underground hipster parties.

"We find a lot of inspiration in that as well as the global underground party scene, the spirit of which is very inspiring," Baldi explains.

"There are also a lot of online radio stations that inspire us."

At such a tender age, UP still needs to be renovated and fully decorated. This is what its founders are planning to do in the coming months.

Come together: Hipsters also often find new friends and collaboration opportunities for their next obscure art projects during gatherings at UP.Come together: Hipsters also often find new friends and collaboration opportunities for their next obscure art projects during gatherings at UP. (JP/Marcel Thee)

"It's pretty simple looking now. We don't really have the budget to decorate yet, only the willingness to do this," Baldi says.

UP is currently a "pop-up event space," meaning that it only opens its doors to the public when there is an event happening.

The rest of the time, it works as a hub for Baldi and his friends to engage in their individual creative activities; everything from recording their music, making mixes, drawing up flyers and others.

"Eventually we'd like it to be a place that opens every day, so people can come in and out freely and do whatever cool, creative thing they want to do," says Baldi, who says the end goal is to be a center for "subcultural events."

Up close and personal: The small space allows more intimacy among visitors during parties.Up close and personal: The small space allows more intimacy among visitors during parties. (JP/Marcel Thee)

"In our heads, UP will be a place to hold art exhibitions, audio visual performances, even more DJ-based events, a place where you would screen films and documentaries, to maybe even hold meditation classes." The UP guys even plan on eventually holding a music festival, something that seems very possible since most of them are players in the underground rock scene also.

"It's important for us that this feels like a place where people from different backgrounds feel comfortable visiting."

UP has hosted events that include the launch of No Hard Feeling's online radio station, a Cinco De Mayo themed collaboration with the diner Taco Local and collaboration with Norm Radio from Bandung.

The response has been overwhelming, likely thanks to the clout and network its founders have as DJs and musicians.

"It's pretty much always packed, and I can tell that everyone feels comfortable when they are there," says Baldi, saying that UP doesn't want to have the intimidating feel of nightclubs.

"There is always a good vibe."


Source: Up the new, trendy go-to place for Jakarta's obscure hipsters

Thursday, August 17, 2017

Jakarta teens made to sing national anthem for holding weapons

Jakarta Police allowed six youths held for the possession of sharp weapons to go home only after they had sung the national anthem, Indonesia Raya.

Police suspected the weapons were to be used in brawls in Penjarigan, North Jakarta.

The suspects, aged 15 to 17, had been found with the weapons near the Pluit reservoir in Penjaringan, North Jakarta, on Wednesday, said Comr. Rahmat Sudjatmiko, the head of the Penjaringan Police's crime unit.

Upon their arrest, the teenagers, who are students of a vocational school, were taken to the local police station, where they were made to sing numerous patriotic songs, including the national anthem.

"They rode motorcycles to the Pluit reservoir in a large group. When patrol cops approached them, they ran to disperse," Rahmat said, as quoted by tribunnews.com on Thursday. "Apparently, the six students were preparing for a brawl." (agn/wit)


Source: Jakarta teens made to sing national anthem for holding weapons

Wednesday, August 16, 2017

Independence Day’s recipe: Raffles Jakarta's ‘sayur asem’

Sayur asem (vegetables in tamarind soup) is among most popular Indonesian comfort foods.

Since sayur asem is commonly recognized as a humble-slash-traditional meal, Bastian Muntu, chef de cuisine at Arts Café, Raffles Jakarta hotel in South Jakarta, shares a modern version of the dish.

To make the sayur asem, Bastian shows that some of ingredients need to be grilled. "Then we use pestle to mix all the ingredients," he said, explaining that the traditional mixing technique lends a different flavor to the dish.

Those wanting to cook sayur asem ala Raffles Jakarta may want to check the recipe below. 

Read also: Ramadhan recipe: Four Seasons Hotel Jakarta's hummus

Sayur asem ala Raffles Jakarta

Ingredients

Spice paste

  • 100 grams red bird's eye chilies
  • 20 grams red chilies
  • 10 grams galangal, peeled
  • 20 grams garlic, peeled 
  • 20 grams shallots, peeled
  • 20 grams candlenuts
  • 30 grams palm sugar
  • 10 grams shrimp paste
  • 5 grams ebi (dried shrimp)
  • Sayur asem soup

  • 20 ml cooking oil
  • 300 ml chicken stock
  • 30 grams chayote, sliced
  • 30 grams sweet corns
  • 20 grams yardlong beans
  • 30 grams young jackfruits, sliced
  • 20 grams melinjo nuts (gnetum gnemon)
  • 20 grams melinjo leaves
  • 30 grams eggplants, sliced

  • 10 grams salt
  • 10 grams pepper
  • 1 fresh tamarind
  • Method

  • To create the spice paste, grilled red bird's eye chilies, red chilies, shrimp paste and galangal.
  • Add all the grilled ingredients on a pestle together with garlic, shallots, candlenuts and palm sugar. Crush and mix all the ingredients until they turn into a paste.
  • On a pan, heat cooking oil and cook the spice paste until fragrant.
  • Add dried shrimp and chicken stock. Stir well.
  • Add chayote, sweet corns, yardlong beans, young jackfruits, melinjo nuts, melinjo leaves and eggplants. In a high heat, boil all the ingredients.
  • Season the sayur asem with salt and pepper.
  • Turn the heat into medium-low, cook for around 10 minutes.
  • Serve sayur asem with rice. (kes)

  • Source: Independence Day's recipe: Raffles Jakarta's 'sayur asem'

    Tuesday, August 15, 2017

    Facebook finally opens permanent office in Jakarta, the world’s most active city on Instagram

    Inside Facebook's new Jakarta office. Photo credit: Tech in Asia.

    More than three years after opening a representative office in Indonesia's capital, Facebook yesterday inaugurated its first permanent presence in the country.

    Indonesia is an important growth market for the social network and its subsidiaries and the move reflects that. It's also a reaction to tightening regulations for foreign internet companies.

    Jakarta is the city where most Instagram stories are posted from.

    Indonesia – which constitutes Facebook's fourth largest user base in the world –  is in the process of laying out rules for how global internet firms are allowed to operate in the country.

    One of the proposed requirements is that foreign companies like Google, Facebook, and Twitter must have permanent business licenses in Indonesia. Another demand is that certain user data must be stored on local servers. A permanent business license and permanent office, as opposed to a representative office, mean greater tax payment obligations.

    The transition from a largely unregulated environment to more government scrutiny hasn't been easy for either side. Google was in a spat with Indonesian regulators over tax payments for months, eventually coming to a settlement.

    At the inauguration event, Facebook Indonesia country director Sri Widowati confirmed that the US firm obtained a permanent business license to operate in Indonesia in March this year.

    Inside Facebook's new Jakarta office. Photo credit: Tech in Asia.

    But according to reports, there's still doubt (link in Indonesian) whether the license it got, which is for a  management consulting business, is appropriate for the type of business Facebook runs in Indonesia. The social network's main source of revenue is advertising.

    Widowati was unwilling to dive deeper into the subject at the event.

    "Our investment in Indonesia is a priority. This is a big market for us. Our users are very active here. We welcome every good opportunity to invest. But we cannot say specifically which type of business we are running in Indonesia," she said.

    She also declined to share the number of employees Facebook has in Indonesia. "Compared with other Facebook offices globally, the number is still very small."

    The regulations concerning companies like Facebook are still in draft stage and remain subject to change, which may explain why the firm is unwilling to discuss this matter in more depth.

    With the opening of the new office, Indonesia for the first time also hosts representatives of Facebook's other services, like WhatsApp and Instagram, in the country. Instagram, in particular, has become popular here; Jakarta is the city where most Instagram stories are posted from, beating even London and New York.

    This article first appeared in Indonesian, written by Danang Setiaji. Information was translated and edited for this version.


    Source: Facebook finally opens permanent office in Jakarta, the world's most active city on Instagram

    Monday, August 14, 2017

    Singapore committed to long-term ties with Jakarta

    Singapore is committed to a long-term relationship with Indonesia, and much has been done by working groups on both sides to ensure that the agenda for the Leaders' Retreat on Sept. 7 will take bilateral ties forward, said Deputy Prime Minister Teo Chee Hean.

    "Hence, what I came here for was basically to tee up for the very important Leaders' Retreat, which we will be having on the 50th anniversary of our bilateral relations," said Teo, as he wrapped up a three-day visit to Jakarta.

    Teo had arrived in the Indonesian capital last Thursday, and attended a National Day reception hosted by the Singapore Embassy, followed by a meeting with President Joko Widodo, during which he conveyed Singapore's greetings for Indonesia's 72nd Independence Day, which falls on Thursday.

    Both Teo and Joko affirmed their commitment to the bilateral partnership, and to deepen cooperation in areas such as digital economy and skills upgrading, which will be discussed further at the Leaders' Retreat in Singapore.

    Other agenda items include exploring more ways to cooperate on economic and regional development, and to continue collaborating in social and cultural exchanges, as well as security.

    "We are very close neighbours and we have built up this relationship of trust over the past 50 years," said Teo. "Therefore the theme for this year's retreat is Trusted Partners, Rising Together."

    He also said it is good for Singapore to see a united, stable and prosperous Indonesia, which also augurs well for ASEAN as a region.

    "Indonesia also sees many advantages in working with Singapore. We have been Indonesia's largest investor for several years now, a major trading partner, and we are also a very strong interlocutor on issues such as security, which affects both of us and the whole region."

    Accompanying Teo on the visit were Social and Family Development Minister Tan Chuan-Jin, Senior Parliamentary Secretary for Trade and Industry and Education Low Yen Ling, chairman of the Government Parliamentary Committee (Defence and Foreign Affairs) Vikram Nair and other officials.

    Tan had spent time in Jakarta as an army attache from 2003 to 2004. He said while ties are strong, relations still need to be tended to, and he hopes to see more people-to-people exchanges.

    At the Singapore Community Day event Sunday, Teo called on Singaporeans in Indonesia to help nurture bilateral relations.

    "You yourselves play a major role here, you have business, you have lived here in Indonesia, and you also are ambassadors for Singapore, letting Indonesians know how Singaporeans are, what we stand for, what our country really is," he said.

    Teo also gave an update on developments at home, including the upcoming presidential election.

    "We have not had a president from the Malay community for 47 years... and we have made constitutional changes this year to reinforce the importance of multiracialism in Singapore," he said. "My hope for the presidential election is the hope of all Singaporeans - that we have a president who is able, a person of integrity... who will uphold the principles of multiracialism, multi-religionism... and a president whom all communities can be proud of."


    Source: Singapore committed to long-term ties with Jakarta

    Sunday, August 13, 2017

    West Jakarta to examine livestock ahead of Idul Adha

    The West Jakarta Fisheries, Agriculture and Food Security Agency (KPKP) will dispatch 156 inspectors to check on the health of livestock ahead of Idul Adha, the Islamic Day of Sacrifice, which will fall on Sept. 1.

    The examination will be conducted at thousands of animal shelters across eight subdistricts in West Jakarta from Monday until the end of August.

    The 156 inspectors are members of a joint task force that includes district and subdistrict heads and 50 veterinarians for livestock examinations from the Bogor Institute of Agriculture (IPB).

    "In 2016, we examined 8,508 goats, cows and buffalos," West Jakarta KPKP head Maysawitri Dumay said on Sunday, as quoted by wartakota.tribunnews.com.

    Ten percent of the total livestock was deemed unfit for consumption for Idul Adha in 2016 since the animals suffered from mild illnesses, such as eye ache or diarrhea.

    While expressing her gladness that inspectors had not found any dangerous livestock illnesses in 2016, she said she hoped the livestock would be in better condition this year.

    Muslims celebrate Idul Adha annually to commemorate the Prophet Abraham's willingness to sacrifice his son Ismail as an act of submission to God. After the slaughtering process, the meat is parceled up to be distributed among the less well-off members of the community. (hol/rin)


    Source: West Jakarta to examine livestock ahead of Idul Adha

    Saturday, August 12, 2017

    What to expect at the Ghibli exhibition in Jakarta

    Fans of Studio Ghibli in Jakarta can finally experience the Japanese animation world created by the famed studio, as the exhibition opened its 39-day exhibition in the Pacific Place Ballroom on Thursday.

    Several installations at the 'The World of Ghibli' exhibition on its first opening day however were still under construction due to technical difficulties, as stated on its website.

    Studio Ghibli president Koji Hoshino along with an interpreter, led an introductory tour to the first group of visitors on Thursday, where he cited the goal to achieve a perfect exhibition as the reason behind delayed completion. 

    The event in the Indonesian capital city, which will run until Sept. 17, is the biggest exhibition of its kind held outside of Japan. 

    "That is why we want it to be done properly," Hoshino said on Wednesday as quoted by tempo.co. 

    Here are some of the installation to look out for at the exhibition:

    Laputa 

    The Laputa robot from Laputa: Castle in the Sky ( 1986 ) stands tall to greet visitors at the exhibition.

    In comparison to the Laputa figure sitting on the rooftop of the Ghibli museum in Japan, the version displayed in Jakarta is more alike to the one in the film, Antara news reported.

    "Every Ghibli film has a distinctive symbol that is recognizable," Hoshino said, adding that Laputa is one of the characters that is most recognizable from the film. 

    Other than the robot, there is also the Flappter, an aircraft that looks like a dragonfly from the same animation.

    Read also: Must-watch anime movies from Studio Ghibli

    Spirited Away

    A giant version of the bath house featured in the animation film Spirited Away is also displayed at the exhibition.

    Hoshino referred to the contents of the quirky bath house as an analogy to the contents of Hayao Miyazaki's head, noting that is it very creative.

    Porco Rosso

    The old red plane from Porco Rosso stands prominently in the exhibition area.

    Hoshino revealed the interest of famous animator Hayao Miyazaki in aircraft inspired him to include its theme in the movie.

    "Every Ghibli movie contains the hopes and dreams from Hayao Miyazaki," Hoshino said.

    The female figure in Porco Rosso, for example, is a picture of the ideal woman in the eyes of Hayao Miyazaki.

    "Hayao in the film is described as a pig figure," he said.

    Ponyo

    Images of the ocean, which waters make up the blue whale, represents the movie that was made in 2008. Ponyo is one of the relatively new Ghibli studio films compared to its predecessors made in the 80s and 90s. 

    "He has the imagination for making water movement be made into a form of fish," explains Hoshino.

    Read also: 10 old-school mangas we just can't forget

    Nausicaä of the Valley of the Wind

    Ohmu, a giant insect-like creature that acts as a guardian of the earth, is displayed with a toxic forest back drop. The color of the many eyes attached to Ohmu's body can switch from red to blue.

    "Blue is a sign when things are safe, red appears as a sign of danger; in the movie, people are screwed when Ohmu's eyes turn red," Hoshino said.

    Howl's Moving Castle

    Hoshino noted the unique 8.5-meter-tall castle replica as one of the best installations of Howl's Moving Castle.

    "I'm in awe; in Japan they had tried to make this but the level does not match the version in Indonesia," he said, adding that he hopes Hayao Miyazaki can come to Jakarta to see it first hand the work displayed in the exhibition.

    This castle is the first image made by Miyazaki when he was making the film. Toshio Suzuki, a fellow at Studio Ghibli, had a role in deciding on the final form of the castle.

    "Suzuki gave the idea to add chicken legs for the castle to move," Hoshino said.

    Totoro

    Totoro, the adorable furry gray creature that only a child can see, is signature to Studio Ghibli, like Mickey Mouse is for Disney, Hoshino said.

    Totoro and the neko bus, or the cat bus, is one of the studio's most popular characters.

    In the movie Totoro, the front of the neko bus shows the destination of the bus. At the exhibition, "Jakarta" is written in hiragana as its destination. 

    Hoshino says few people watch Totoro in theaters, mostly by television or video.

    "Therefore, the Ghibli film festival in Jakarta is a golden opportunity to watch Totoro on the big screen," he added.

    Additionaly, the exhibition also features replicas of Laputa Airship and Arriety, as well as the Studio Ghibli Journey Area, which contains original sketches and travel history, but have not yet been fully completed due to technical constraints. (liz/kes)


    Source: What to expect at the Ghibli exhibition in Jakarta

    Friday, August 11, 2017

    The World of Ghibli Jakarta exhibition apologizes for installation delay

    The World of Ghibli Jakarta exhibition team in Jakarta has released a statement regarding the delay of its installation process on the opening day on Thursday via social media channels.

    "[…] we regret this incident and we apologize for the inconvenience and loss suffered by ticket owners. Due to technical problems beyond our control, some exhibits are not yet 100 percent finished," said the official statement, adding that they also apologize for the delay in delivering the information that has caused confusion among the ticket owners.

    They also said the exhibition would be completed in mid-August, but continue to open on Aug. 11 starting from 10 a.m. to 6 p.m. and Aug. 12 until Sep. 17 starting from 10 a.m. to 10 p.m.

    Among the attractions featured at the exhibition are the first 8.5 meters Howl's Moving Castle installation, Totoro and Nekobus, Laputa robot, Laputa's Flapter, Porco Rosso's beach and aircraft, Ponyo's wall and Baby Ohmu from Nausicaa of the Valley of the Wind. Limited merchandises are also available.

    Read also: 'The World of Ghibli' exhibition to be held in Jakarta in August

    'How's Moving Castle' installation.'How's Moving Castle' installation. (twitter.com/ghibliJKT/File)

    Those who have attended the exhibition are said to receive a Special Pass ticket that allow them to choose whether they want to visit it on a weekday or weekend.

    The Special Pass ticket can be obtained at the exhibition venue at the Pacific Place 3rd floor, while e-ticket owners can contact the exhibition's customer service via WhatsApp number +62813 19292977.

    One of the complaints about 'The World of Ghibli Jakarta' exhibition.One of the complaints about 'The World of Ghibli Jakarta' exhibition. (twitter.com/icblues/File)

    One netizen, amarillyceae, wrote, 'It's useless for me to reschedule because it won't be possible to return to Jakarta anytime soon. [I live] in Sulawesi [and it's] not in the city, from the nearest airport it takes 3 hours using land transportation [and] the airplane from Makassar only flies once a day.'One netizen, amarillyceae, wrote, 'It's useless for me to reschedule because it won't be possible to return to Jakarta anytime soon. [I live] in Sulawesi [and it's] not in the city, from the nearest airport it takes 3 hours using land transportation [and] the airplane from Makassar only flies once a day.' (instagram.com/theworldofghiblijkt//File)

    One Instagram user encourages the committee of The World of Ghibli Jakarta to keep up their spirit: 'I understand that creating this large-scale event is not easy at all, especially with those big props and set. Hopefully there will be a solution for those who have not yet seen the full exhibition. Hopefully this can be a lesson for the event organizer and the team in the future!'.One Instagram user encourages the committee of The World of Ghibli Jakarta to keep up their spirit: 'I understand that creating this large-scale event is not easy at all, especially with those big props and set. Hopefully there will be a solution for those who have not yet seen the full exhibition. Hopefully this can be a lesson for the event organizer and the team in the future!'. (instagram.com/theworldofghiblijkt//File)

    On the opening day on Thursday, The World of Ghibli Jakarta exhibition had raised many complaints from netizens, especially those who lived outside Jakarta, due to unfinished installations.

    However, at the same day, the president director of Studio Ghibli from Japan who was set to guide the exhibition's very first visitors, Koji Hoshino, told tempo.co that this was the largest exhibition they had ever held outside Japan, therefore they wanted it to be done well. (kes)


    Source: The World of Ghibli Jakarta exhibition apologizes for installation delay

    Thursday, August 10, 2017

    Railway operator to increase frequency on Jakarta-Bandung route

    State-owned railway operator PT Kerata Api Indonesia (KAI) plans to add five more daily trips on the Jakarta-Bandung route to accommodate an increasing number of passengers.

    "Currently, we operate eight trips. With the additional trips, we will have 13 trips per day," said KAI Jakarta and West Java operations spokesman Suprapto in a statement on Wednesday.

    Demand for journeys between Jakarta and Bandung had been increasing in recent months as the West Java capital had become a popular destination for Jakartans to spend their weekend, in addition to growing business activities in the city, he said.

    Read also: KAI's inaugural travel fair starts off on the wrong foot

    He said tickets would sell out every weekend.

    With the additional trips, trains between Jakarta and Bandung will have a capacity to transport 5,836 passengers per day, up from currently 3,868, according to data from the railway operator.

    In July, Jakarta-Bandung trains transported 109,158 passengers, up from 96,453 passengers in June.

    In the past, the Jakarta-Bandung railway was the main means of transportation connecting the two cities. But after the opening of the Jakarta-Bandung toll road, the number of passengers decreased, forcing KAI to stop the operation of its Argo Gede executive trains.

    Currently, KAI only operate the Argo Parahyangan trains, which include business and executive services. (bbn)


    Source: Railway operator to increase frequency on Jakarta-Bandung route

    Wednesday, August 9, 2017

    Art Jakarta 2017: The rise of youthful forces

    The emerging youthful force, which has seen an overflow of works by young artists — described by some as a regeneration of the arts — was on full display during the inaugural edition of Art Jakarta 2017.

    The event, previously known as Bazaar Art, was a bustling event with creative and entertaining activities attracting visitors of all ages, including toddlers.

    The fair may have closed on July 30 but the vibrancy of youth lingers on.

    Entering Pacific Place shopping mall, which hosted the event, the huge eye-catching installation by artistic pair Indieguerillas loomed from the ground to the ceiling, serving as a sign of what was to come.

    From the booths of local and Singapore-based galleries, young and emerging artists were the flavor of the time.

    Among them were Jakarta's Vivi Yip Artroom and Ruci Art Space, Bandung's Lawangwangi Creative Space and Singapore's Art Xchange Gallery, Art Front Gallery and Element Art Space. Bandung's Zola Zulu and Singapore's Pearl Lam Galleries and Yavuz Gallery gave added focus to emerging Indonesian artists.

    There were some references made to European masters, such as in Eddy Susanto's Melencolia, which put a twist on Renaissance painter Albrecht Duerer's Melancholia, which Duerer created amid a time of chaos.

    By twisting and juxtaposing, Eddy used Duerer's painting as a basis to shape images with Javanese script narrating a similar situation on Java as revealed in the Babad Tanah Jawi (History of Java). Perhaps Eddy wished to dispel the dichotomy between East and West.

    Patriot Mukmin referenced the Belgian painter Rene Margitte's Treachery of Paintings by creating 2.5 dimensional works (between 2 and 3 dimensions) to trick the viewer's perception, making them move around to fully grasp the art work.

    The Tomato Farmer by Zico AlbaiquuniThe Tomato Farmer by Zico Albaiquuni (Zico Albaiquuni/File)

    The work which stand out of Yavuz Gallery's booth was Zico Albaiquni's fascinating painting The Tomato Farmer whose incredible vibrancy was achieved by using various pigments collected from all over Europe.

    He explained that every natural pigment comprised angular particles, which acted as prisms when touched by light. Interestingly, painting the Tomato Farmer was his entry point for examining the devastating evictions occurring near his home. Delving deeper into the painting evoked even more interesting angles, demonstrating the intense interaction between art and solutions to social concerns.

    Boedi Widjaja, also organized by Yavuz, delved deep into the psyche and the feeling of yearning in an installation comprised of 28 Indonesian male headdress pieces (peci) in the form of a flower arrangement.

    Modified into pinhole cameras a corresponding number of paper negative prints of press images of Indonesia's first president Sukarno speaking at various occasions, accompanied the headdresses.

    "Sukarno spoke of the peci as an emblem for Indonesian national identity — an identity I wasn't able to tangibly grasp while growing up in Singapore," Boedi said.

    Other highlights of the fair included Gatot Pujiarto's huge wall "tapestry" titled Strength in Fragility for Pearl Lam Galleries; Laila Azra's Menuju Satu(Heading to one) for Element gallery; Antoe Budiono's hyper realistic works for Art Xchange Gallery; Cucu Ruchiat's comical figures for Zola Zulu gallery in which he captured a hint of Botero and Richard Winkler and a host of young artists at Vivi YipArtroo.

    Euphoria Budaya by I Nyoman ArisanaEuphoria Budaya by I Nyoman Arisana (JP/Carla Bianpoen)

    The Creative Economy Agency (Bekraf) sponsored booth excelled with 45 creations from Indonesian artists below 33 years of age. They were selected by renowned curators Rifky Goro Effendy and Asmudjo Jono Irianto to showcase their works — many for the first time — in the public space.

    From oil, acrylic and water color paintings to ceramics, aluminum, three dimensional works, textiles and combinations of painting accompanied by soundscapes and musical scores the works managed to give representation to the artists' thoughts on today's culture and issues. While the artists' may need further professional assistance to reach their peaks, they may be the next generation to shine.

    Interpreting the tone of speeches with the aid of musical scores and a background of (blurred) faces is a unique endeavor, undertaken by Etza Meisjara in Symphony Tafsir (Symphony of Meaning). By using sound and neon lighting on acrylic glass, the artist made tangible her concept and concern with the controversial utterances of the two of the most controversial people of recent times.

    I Nyoman Arizona presented the painting Euphoria Budaya (Culture euphoria), which noted that intercultural relations in Indonesia are leading to new, hybrid forms of culture.

    Youthful force: A visitor poses with Ronald Apriyam's paintings at Art Jakarta 2017 at Pacific Place in Jakarta. The arts fair, previously known as Bazaar Art, showcased a wide range of works by young artists and positioned itself as the people's arts fair. Youthful force: A visitor poses with Ronald Apriyam's paintings at Art Jakarta 2017 at Pacific Place in Jakarta. The arts fair, previously known as Bazaar Art, showcased a wide range of works by young artists and positioned itself as the people's arts fair. (JP/Carla Bianpoen)

    In contrast Dina Adelya in Sore Membatik showcased her desire to preserve the traditions of her homeland in Sumatra, creating a delightful textile tableau of hand-embroidered figures using thread, needle and beads.

    In a similar vein was Niskala by Monica Hapsari, while Robert and Olga presented a relief made of fabric called Minggu Pagi (Sunday morning).

    Artist Harry Arafat explored Sound Reactive LED in Lotus, sending out signals with flickering lights to denote the growth and blossoming of a flower. Ragil Adiwinata provided a critique of pseudo food in a well finished plate installation Konsumsi Semu (Unreal consumption).

    Putu Sastra Wibawa's work Satukan Mimpi (Uniting dream), was inspired by American Indian dream catchers used to banish nightmares. In the same vein, artists also wished to tackle the issues afflicting the country today.

    Like a veritable playground of the arts, the foyer was adorned with art works by Antonio Sinaga, Ronald Apriyan and Zico hanging on the walls, while Patricia Untoro's glasshouse with immortelle for l'Octanne welcomed visitors to enter and take selfies.

    Another vital point was Naufal Abshar's semi painting/sculpture installation, which stood in the middle of the foyer, stating his intention to reach the sky. It was a wish bound to have many followers.

    Up close: Naufal Abshar's sculptural artwork, supported by Art Porters, on display at Art Jakarta.Up close: Naufal Abshar's sculptural artwork, supported by Art Porters, on display at Art Jakarta. (JP/Carla Bianpoen)


    Source: Art Jakarta 2017: The rise of youthful forces

    Tuesday, August 8, 2017

    Jakarta`s economy slows down in second quarter

    Jakarta (ANTARA News) - Head of the Jakarta representative office of Bank Indonesia Doni P. Joewono said the economic growth of the province of Jakarta city slowed down in the second quarter of this year compared with the previous quarter.

    The economy of the capital city grew only 5.96 percent year-on-year in the April-June period down from 6.45 percent yoy in the previous three months, Doni said, here on Tuesday.

    The growth fell below the previous estimate of the Central Bank, he said , attributing slowdown to weak exports and imports and government spending.

    Despite the slowdown, the citys economic growth of 6.2 percent in the first half of the year was still higher than 5.89 percent yoy.

    The less than expected export performance of the capital city was as a result of the weak demand in the global market for its main export commodities such as motor vehicles and ornaments.

    In the second quarter of 2017 Jakarta exports shrank 13.69 percent yoy, after a cont raction of 5.84 percent in the previous quarter.

    The government policy especially the regulation of the land transport directorate general prohibiting transport of export and import goods via toll roads during the Ied ul Fitri days from June 21 to 29 contributed to the fall in exports and imports.

    "The policy caused a decline in flows of goods to and from ports," Doni said.

    A decline in government spending in Jakarta also contributed to the citys economic slowdown, he added.

    Bank Indonesia, however, predicted the increase in the countrys economic growth in the first half of 2017 would continue in the rest of the year as the government spending is expected to grow driven by rise in employees spending.

    In addition the rising trend in investment is expected to continue with more infrastructure projects of the government to be implemented .

    Exports and imports are also expected to increase with the improving condition of the global economy and as all roads including toll road would be open for the transport of export and import goods.(*)


    Source: Jakarta`s economy slows down in second quarter

    Monday, August 7, 2017

    Police proceed with charges against comedian over apartment complaints

    The Jakarta Police have completed a case dossier on a standup comedian who complained about Green Pramuka City apartments in Cempaka Putih and will submit the file to the Central Jakarta Prosecutor's Office on Monday.

    The charges against Muhadkly, popularly known as Acho, 31, have sparked concern among right groups and apartment residents, who say his complaints represent their voices. 

    "The suspect is at the Jakarta Police headquarters and the case will be handed over to prosecutors," Jakarta Police spokesperson Sr. Comr. Argo Yuwono told The Jakarta Post on Monday morning. 

    Acho has been named a defamation suspect for writing a complaint on his personal blog after he said he had been repeatedly disappointed by the response to his complaints to the management of Green Pramuka City, where he resides.

    In the blog entry posted in March 2015, Acho complained about high parking fees at the apartment compound and the lack of deeds residents should have been given after purchasing apartments. He also advised people to be cautious when considering purchasing an apartment there.

    Should prosecutors declare the case dossier complete, Acho will stand trial.

    Apartment management firm PT Duta Paramindo Sejahtera reported Acho to the police, accusing him of online defamation. Acho was named a criminal suspect in June and was charged under the Electronic Information and Transactions (ITE) Law, which carries a maximum four years' imprisonment.

    Members of the public have set up an online petition to urge the developer to drop the case. 


    Source: Police proceed with charges against comedian over apartment complaints

    Sunday, August 6, 2017

    Turnbull’s terror bust raises big questions over his government and his leadership.

    Riotous splashes of daffodil – Petals on a wet, black bough, cheer a bleak Lakemba Street, in the flare of an OB TV van's lighting, while the sounds of big diesel heaving and the grinding -peep-peep-peep of a garbage truck in reverse greet the nation Monday as it wakes to a motley squad of glum Teletubbies sifting rubbish. Who are they?

    Surely it's not our jolly AFP, out to fit up another Labor NBN leaker? Colvin's cowboys? It's all a visual riddle, wrapped in a mystery, inside an enigma, all rolled up in sodden copies of the Bankstown-Canterbury Torch, ever at hand to take care of any Lakemba household's potato-peelings and discarded jihadi bomb components.

    Sproule St's canary-kitted bin-pickers are an establishing shot in a post-modern apocalyptic story of four Muslims, a halal meat-grinder and a fart gas plot. Fittingly, this week's freak-out anti-terror squad is not in camouflage grunge. Last week's gas masks, machine guns and assault vehicles yield to a form of Bananas in Pyjamas rig.

    Oblivious to all hysteria, the wallopers seem part of a slow dance routine. Cue Tchaikovsky's Waltz of the Flowers.

    The week's wondrous political theatre includes a piece to camera in a brilliantly improvised disaster narrative – "one of the most sophisticated plots"…  ever attempted on Australian soil" – (we've had none before.) And what a ripper plot it is.

    Four Men and a Mincer is a televisual feast. Every tidbit is filled with suspense and wonder. Fart gas? Wood scraps – errant Kebab skewers, perhaps? Brother, Khaled, planned to fly to Jakarta, terror capital of Indonesia?

    "Unknown to the airline, the police and even his brother, Mr Khayat packed a military-grade bomb, concealed in a kitchen meat mincer, in his brother's check-in bag"? Bro didn't notice the extra weight?  His bro's teary farewell?

    And "how very dare he", as Catherine Tate says, not notify police or at least Etihad airlines, his carrier of choice.

    In a novel twist the bomb or "IED", (acronyms boost legitimacy), is Australia's first FIFO explosive. "Authorities", a term which helps convey authority, (together with breathless hyperbole and a total bypass of scepticism or hint of critical thinking), report bomb ingredients were flown from ISIS in Turkey, and delivered via the recently retired $4.8 million dollar gunpowder-runner Ahmed Fahour's Australia Post. In another first, our terror goes postal.

    FIFO clinches it. Terror fans today all know, full well, how ISIS has fiendishly ingenious ways of achieving the impossible – possibly disguising the explosives in a cunningly re-purposed receptacle such as a pressure-cooker. It's extraordinary, moreover, that no traces of Semtex or C4 seem to have been found despite extreme "scouring".

    But wait. As luck has it, The Daily Telegraph a terror-organ hot-wired to Coalition HQ, is on hand to record a major discovery. OMG. Just as well the plot was foiled. Could've been Australia's 9/11. Sharri Markson has a moment.

    "Officers, dressed in yellow plastic jumpsuits, meticulously went through each garbage bag, going through avocado skins, beer bottles, egg shells and fast food wrappers before finding the flight receipt, which was ripped and soggy," Markson records. Kerbside developments are relayed in relentlessly prosaic detail. Terrifying.

    Soggy? NSW Commissioner Mick malaprop Fuller uses "forensic" to stress how well his men scour the area.

    As befits any witch-hunt, there is no right to privacy. Nor is any presumption of innocence extended by The Tele which helpfully provides photographs, names, addresses and maps to assist rubber-neckers and vigilantes.

    Nothing is left to chance, however. Neighbour Kate Harrison swoons."There must have been at least 40 riot squad police with huge guns." Massive swarms of police help reinforce the myth of our "probable" terror threat; the diabolical cunning, the fiendish "sophistication" of our enemies, the Lakemba jihadis, one of whom didn't notice the sudden extra weight as a heavy home-made bomb disguised as a mincer made its way into his hand luggage.

    Spin-off of the week is won by the tall tale of the travelling mincer. Top Cops, boost airport security whilst maintaining peak paranoia, by taking an each-way bet. Yeah. It was yet to pass metal detectors, they say, before being rejected because it was too heavy to be allowed on the flight. Yeah. Nah. Our systems didn't fail us.

    Sophisticated? Imagine the scene. "I know you say your bastard brother always packs the family travelling halal mincer for you, but I'm sorry, Mr Khaled, you either remove that IED from your bag or we can't let you on board."

    All is calculated to steal the nation's gaze away from the government's Murray-Darling $13.5 bn water scandal, its NBN disaster, its energy policy failure, news of record carbon emissions, its marriage equality snafu, the revelation of un-renounced dual citizen-fifth columnists lurking in its midst, the leaking of the PM's duplicity over our refugee deal, the CBA bank's money-laundering for drug syndicates and other self-inflicted crises and catastrophes.

    Self-inflicted? In another of its brilliant reforms, the Abbott government made AUSTRAC, Australian Transaction Reports and Analysis Centre financially dependent on the same mafia it was supposed to keep honest. It moved AUSTRAC in 2014 to what it said with a straight face was " a full industry-based funding model" which meant government funding would be replaced by an industry level. As long as AUSTRAC kept in sweet with the banks.

    But look over there. No. Not our shameful abdication of responsibility for Manus. Not the farce of a non-binding, non-compulsory postal plebiscite, certain to be served upon the nation, Tuesday. Not The Great Equivocator Malcolm Turnbull's slapdown over his resolute evasion of constitutional recognition for indigenous peoples – that's too ambitious" even though – or, perhaps – because Labor is proposing it. No. It's a Lakemba-terror. Look out!

    Of course it's not all meant to drive us to distraction. A well-executed terror scare helps us embrace our political leaders and reinforce their need to frighten us further. As experts point out, it is not clear-cut, however, although evidence suggests a terror threat can benefit right wing politicians, especially election candidates.

    To create maximum consternation, a mincer is pressed into service as the engine of an "Islamic-based" plot. An inspired choice of device, "mincer" bolts the exotic to the domestic right in your own kitchen. Inventive? Sinister. Not only is ISIS coming to get us, as Abbott warned, our household appliances are not what they may seem.

    There is a teensy evidentiary problem. No-one has been able to find the Kenwood in question. Happily, habeas corpus no longer holds up our streamlined anti terror laws. Mostly it's straight to jail even if you only have a dumb plan. Yet it's deadly serious. The attention to detail in costume alone signals a bin squad that means business.

    Yellow plastic terror-proof cover-alls contrast vividly with blue kitchen gloves, blue plastic bags and the cerulean blue tarps everything in the bin is tipped out on. It's more than a visual feast to lift a nation's spirits, it's a religious ceremony, the ritual elevation of the AFP into a priestly class.

    Almost up there with ASIO, our AFP hierophants are blessed with supernatural powers to divine all manner of evil.

    And keep us safe. The saffron vestments help cement the deal. A buttercup cop in a surgical mask upends a gun-metal grey garbage bin. Voila! But take heed, political deviants and dissenters. Our moral, metaphysical, if not spiritual, guardians sift rubbish with all the unhurried, unsmiling thoroughness of a gang of Mumbai rag-pickers.

    Four Men … is a high-stakes, top-quality attention-grabbing drama, a long, suspenseful, terrifying stake-out.

    Lethal. Yairs. Top cops tell us how an exploding mince-maker could bring down an airliner in a setting of utter suburban dullness, a plot device and a location so humdrum it takes the banality of evil to a whole new level.

    Worse, Channel 7 rants, in more, explosive, revelations. It has wind of a back up plan to launch a Hydrogen Sulphide or fart gas attack on a public transport network system in Sydney. Is there no end to Muslim perfidy? But, wait, something's on the nose. Of course, Seven has just re-releasing an AFP press release – and it's a bit whiffy.

    The gas is toxic in sufficient concentration but the volume required, Professor Greg Barton, who enjoys regular media billing as a Deakin counter-terrorism expert, argues, rules out any carry on luggage. You'd need a truckload.

    And it's only talk. AFP deputy commissioner of national security Michael Phelan reveals that a second terror plot was "allegedly being discussed by the accused". Yet even this can be dressed up as scary. The men discussed "… building of an improved chemical dispersion device," Phelan claims. It's enough, moreover, to get you charged.

    For News Corp's Sharri Markson, who relays an anonymous minister (not Peter Dutton) the real terrorists are Tim Wilson, Trent Zimmerman, Trevor Evans, Dean Smith and Warren Entsch who are agitating for a conscience vote.

    "Today we need to be talking about terrorism and the fantastic work our agencies have done — but instead, because of these saboteurs, these suicide bombers in our own party, we're talking about same-sex marriage."

    Not another agenda hi-jack! Markson's "minister" (not Peter Dutton) pretends that government can't possibly talk about more than one thing at a time. It's an indictment, to claim our elected representatives can't "fart and chew gum at the same time" (as Johnson said of Gerald Ford) but it's now a Coalition orthodoxy; a standard evasion.

    Do we really need to baste the carcass of an open society in its own juices by gushing praise over police, paramilitary and other agents of coercion? Haven't we valorised anyone in uniform enough already? What we need to acknowledge is how well anti-terror laws and terror bust theatre help conceal the terror of the state.

    Our draconian security laws threaten our open society. As The MEAA points out we have criminalised the truth and suppressed the right to know. Despite George Brandis, Barnaby Joyce and company, it's the state whose terror laws are "law-fare" – not the protests of environmental groups which the government seeks to silence.

    Michael Forst, UN Special Rapporteur, last October criticised The Turnbull government for its bill to prevent individuals or organisations that have engaged in environmental activities in the past two years from challenging decisions under the Environment Protection and Biodiversity Conservation Act.

    Others have instanced our Border Force Act 2015 which can put you in jail for two years if you reveal anything about Manus or Nauru. Too bad if this cuts across your professional obligation to report physical and mental harm.

    But the Coalition has not been content just to outlaw whistleblowers and suppress dissent. It deploys its own terror. News "breaks" this week that 38,000 Centrelink pensioners receive "Taskforce Integrity" letters from the Department of Human Services which bear an AFP logo to help instil fear. The letters, sent late July, warn often terrified recipients against deliberately withholding or providing false information to dishonestly collect payments.

    Since 2015, DHS has sent over 85,000 letters with AFP logo to welfare recipients in nine national locations. Should any  government put the frighteners on its most vulnerable?  ACOSS head, Sandra Goldie, is in no doubt,

    "It is completely inappropriate for the government to send letters to income support recipients with the Australian Federal Police logo asking if their details are up to date." "These letters are threatening and completely disregard any mental health issue the person may have."

    Yet, distressingly, the issue attracts little MSM attention and despite its Robo-claw debt recovery debacle, the government is determined to press on with its standover tactics and its efforts to shakedown pensioners to find the small change down the back of the couch while allowing 36 per cent of large companies to pay no tax whatsoever. Oxfam calculates multinational tax avoidance costs Australia $6 billion in revenue every year.

    No-one on the Tele, nor any another MSM recalls that it was a "relaxed and comfortable" John Howard in 2004 who took it upon himself to change the Marriage Act to exclude gay couples. Nor that he did it without plebiscite.

    True, there was a bit of a fuss when he also proposed to ban same sex couples from adopting children from other countries, but he was able to abandon that part of his "reform" in his hope of quickly wedging Labor.

    He wished, he claimed, "…to  make it very plain that that is our view of a marriage and to also make it very plain that the definition of a marriage is something that should rest in the hands ultimately of the parliament…"

    In fact, as he did with school chaplains, arch-conservative Howard imposed his own prejudices on the nation, pausing only to insult us that he had read our' minds for us. In this sense, he planted an IED of his own that his indulged disciple, Tony Abbott, our accidental Prime Minister, was able to augment with a bomb of his own.

    Losing control of an unruly six hour party room meeting stacked with Nationals dinosaurs and desperate to head off a conscience vote, Abbott got his then deputy PM Julie Bishop to propose a plebiscite. It was a word which Wokka Entsch reckons he never heard. Yet it put a time-bomb under Turnbull which is ticking louder by the day.

    In a secret, special "emergency" meeting of the Liberal party room scheduled for next Monday, Turnbull  will continue his mission of open and transparent, cabinet based decision-making government by trying to engineer a solution which will preserve his confidential, Faustian compact with the National Party.

    What has upset the conservatives is news that WA Liberal Senator Dean Smith wishes to introduce a private member's bill in favour of a conscience vote in parliament. Planning of this was leaked when last June when in a kiss of death, Christopher Pyne overshared his view that a bill would be introduced "sooner than everyone thinks."

    It was not so much the assertion itself which had Liberal die-hard rightists spluttering but his allied claim that the left-wing of the Liberal Party had taken over a vision calculated to inflame the passions of the Abbott, Eric Abetz, Kevin Andrews and the ten or so "Deplorables" who like to style themselves as conservatives.

    Michelle Grattan who knows people who know people in Canberra believes the five amigos have unleashed an existential battle which goes to the heart of Turnbull's leadership, a locus, itself a vexed conundrum. Like some reverse terror group, those pro a SSM conscience vote, she says, have engineered an "extraordinary implosion".

    It won't come to a fight. In typically assertive fashion, the PM's made it clear that he won't lead or embrace a position himself. In truth he doesn't have the political capital to do much else – and even less authority.

    What could possibly go wrong? Courting disaster is the par for the course with him. Politics, Groucho Marx reminds us, is the art of looking for trouble, finding it everywhere, diagnosing it incorrectly and applying the wrong remedies.

    If all goes to plan, the PM will be able to brandish a non-binding, non-compulsory postal plebiscite which could cost the nation $100 million – to reach a verdict which his government can then reject. Malcolm Farr on ABC InsidersSunday, says he's charging the tax-payer to come up with a decision which parliament should be making.

    In brief, a postal plebiscite is another political expedient; an evasion of Tony Abbott's initial evasion of a conscience vote which would undo John Howard's original 2004 political expedient. Bugger what the nation wants.

    Polls show majority support for marriage equality. Only about 25% of Australians oppose same sex marriage.

    In the end, the issue illuminates how far Turnbull's need to keep his leadership outweighs all other concerns and how much his need to appease the right of the party leads his government further away from popular opinion.

    The secret deal with the Nationals he made to gain the leadership has not been divulged even after FOI requests.  But it's clear that he's meant to keep a leash on the liberals in the party while the National party keeps a leash on him.

    A joint party room will follow Tuesday where Turnbull will take a secret ballot, banking on the status quo. Whatever the outcome, the Nationals – who have seven times the number of seats as The Greens but less than half the votes – thanks to our gerrymandered political system, will exercise their right of veto, Friday.

    In a ray of (setting) sunshine for the right wing, groundhog day for peak stupid arrives Saturday. Craig Kelly is on ABC crowing over the proposed visit of Trump EPA Head and climate change global village idiot, Scott Pruitt. Kelly gushes over the chance to hear Pruitt.

    "The head of the EPA in the United States of America is a very high ranking and prestigious position and if he's got time amongst his busy schedule to come and visit us down in Australia we should welcome him with open arms," Kelly says.

    Nonsense. Just let us know, Craig, if it were you or Josh who invited him. Pruitt does not need our endorsement; nor do we need to hear his stupidity nor his coal-lobby spin. We are being softened up for more coal-fired power stations. On cue this week, PM has been waffling about how ideology must not get in the way of energy security.

    By the end of the week, the Turnbull government is in crisis even before parliament has resumed. Luckily a tape is leaked which gives the lie to claims that Turnbull has not talked tough to the US President, Donald Trump over our heroic refugee-swap which will see us clear Manus and Nauru in return for some unwanted Columbians.

    He has "held the line" claim MSM applauding our PM's assertiveness and offering other glowing endorsements his office has press-released them. In reality, the transcript reveals Turnbull's thoroughgoing duplicity and cynicism. He is unconcerned if the US takes only a hundred refugees as long as the deal appears outwardly to be a success.

    The leak is a damning indictment. It provides a privileged insight into a totally cynical Turnbull and his government to whom nothing matters, least of all the suffering of our refugees, detained offshore in conditions and circumstances which amount to torture.

    Turnbull's sole motivation is to cling to power by whatever means present themselves.

    Above all the leaked transcript points to the callous inhumanity of our refugee policy. Whatever the outcome of its gay-marriage imbroglio, the Turnbull government needs to bring our refugees home immediately.

    Similarly he could make the call for a conscience vote in Parliament and let his opponents be damned. It would require courage but he has absolutely nothing to lose and everything to gain.

    Spare us the surreal terror scare tactics, the endless hype about security and the dog-whistling of division, Mr Turnbull. For once in your life do something healing.


    Source: Turnbull's terror bust raises big questions over his government and his leadership.

    Saturday, August 5, 2017

    Ceritalah ASEAN - Angga Sasongko: Contemporary dream-maker

    Modern day story-tellers such as the thirty-two-year-old film director, Angga Dwimas Sasongko are no longer bound to just one format. Instead, they range across countless platforms from film, to television, advertising, online videos and games, forever crafting and re-crafting their stories. With over 55% of Indonesians spending upwards of six hours per day on the internet, particularly via smartphones, the battle to capture "eyeballs" has become an epic and endless struggle. As Pak Angga explains: "Nowadays, it's all about how to get closer to the audience. How to get onto everybody's smartphones? Creating content and breaking it down."

    With his two Filosofi Kopi films, Pak Angga has proven himself to be a frontrunner in this multi-dimensional terrain, where a film is no longer just a film but can extend far, far beyond a mere cinema hall. Indeed, it's arguable that's he's conjured up an entire universe, straddling Jakarta's hipster millennials sipping espresso in their concre te and bleached-wood cafés well as the coffee-growing communities of Lampung, Toraja and East Java.

    The Filosofi Kopi series is anchored by an unusual pairing of childhood friends: a long-term bromance between a Chinese- and pribumi Indonesian– something that in the heat of the recent Jakarta Gubernatorial elections might not have seemed possible. They're a quirky duo: Jody (played by Rio Dewanto) is a stiff, numbers-driven Chinese-Indonesian nerd, while Ben (Chicco Jerikho), is the intense, philosophy-spouting barista with a passion for coffee.

    In 2008, Angga Sasongko established a production house called Visinema Pictures, which released the Filosofi Kopi movie sequel. Karim Raslan Photo

    Inevitably, the balance between t he two men begins to shift as business and then women start complicating their lives. In the first film, a haughty coffee writer called El (played by Julie Estelle) drives the narrative whereas in the second film, a businesswoman called Tarra, (played by a surprisingly matron-like Luna Maya) and an offbeat but dedicated barista called Brie (played by Nadine Alexandra) challenge the men.

    Moreover, in both films, the reality of Indonesia – the violence, injustice and impunity that underlies everyday life – upsets the equilibrium further. Ben, in particular, is forced to come to terms with the family tragedy that has shaped his life – providing in turn a measure of redemption and peace as he later retreats to his father's carefully-tended coffee nursery in Lampung.

    Whilst neither of the films have been box office hits - perhaps attributable to their resolutely urban milieu - Pak Angga assures me that they've both been profitable. Moreover, because of his deft management of the multiple platforms, the Filosofi Kopi series has had an outsized impact on Indonesian pop-culture. Certainly, the two male stars have become hot property. At the same time, he's captured the zeitgeist and mood of contemporary Jakarta as the post-Reformasi Republic approaches its twentieth anniversary.

    Angga Sasongko in addition to being a director of a coffee-themed film, is also good at making coffee at his shop in the Blok M Jakarta area. Karim Raslan Photo

    That's not to say he's invented Indonesia's coffee c ulture. Far from it: coffee-drinking has always been an integral part of life in the archipelago. Indeed, there's a specific verb in the Indonesian language (ngopi-ngopi) for the act of hanging around and drinking coffee. What Filosofi Kopi has achieved is elevating the coolness of "ngopi-ngopi" and celebrating the integrity of the growers.

    Intriguingly - and this is a constant theme with millennials globally – the films evoke a yearning for a return to authenticity and a bucolic, pastoral past. There are gorgeous sequences where the Indonesian landscape dominates the narrative – tantalizing those of us who must endure Jakarta's grimy realities.

    As Filosofi Kopi winds down, Pak Angga remains an incredibly busy man. He'll be turning his attentions to the action movie "Wiro Sableng 212", a big budget Fox International project that he's been contracted to direct. It'll be a big shift as he launches into a three-month-long shoot in an isolated and heavily-forested pa rt of West Java.

    Also ongoing are his own plans for his company Visinema Pictures, which has a slate of projects (including a reinterpretation of a much-loved local TV series Keluarga Cemara) stretching well past 2021. He's very fortunate as well in having an extremely capable film producer wife, Anggia Kharisma at his side.

    Having watched many of his films, from the Ambon religious strife and football epic "Cahaya Dari Timur: Beta Maluku" to "Surat Dari Praha" it's clear that Pak Angga is particularly adept at handling male-oriented stories and whilst he would argue his female characters are equally well fleshed out, I would have to disagree. Nonetheless his films have earned considerable critical acclaim and become part of the contemporary cultural landscape. In short, he's a guy who eschews trends – no horror movies for Pak Angga – and will, I think, inevitably hit the box-office jackpot in years to come.

    Filosofi Kopi 2 has successfully attracte   d an audience of 134,281 in its first four days of screening starting from 13 July to 16 July 2017.

    Meeting the University Indonesia grad and father of one in person is also slightly disconcerting because despite the historical and emotional scale of his films, he's a remarkably diminutive figure.

    However, his small size is more than compensated by his sheer determination and raw intensity. This is a man who makes things happen – a latter-day impresario like a Run Run Shaw or George Lucas.

    Pak Angga understands the way entertainment is shifting. Celluloid no longer operates in a vacuum. It is a part of an overall story-telling package made all the more challenging as the Hollywood behemoths roll out their marque productions – almost obli terating local films in their wake. But instead of bellyaching, he's focused on understanding and working with the new challenges.

    Karim Raslan and Angga Sasongko relaxing and sipping coffee at the Filosofi Kopi shop in Melawai, Jakarta. Karim Raslan Photo

    I will always remember the way Pak Angga has managed to shift between the worlds of fact and fiction. For example, his main film-set – the Filosofi Kopi cafe in the South Jakarta enclave of Blok M is a fully-functional cafe and a place where people can hang out. So, every now and then, the two handsome stars' pop in and play barista to the delight of the screaming fans.

    Art imitating life? That's the way things are going to be moving forward if Pak Angga has his way.


    Source: Ceritalah ASEAN - Angga Sasongko: Contemporary dream-maker